Exhibition of 21 Artists Shortlisted for the Future Generation Art Prize 2017
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Photographs provided by the PinchukArtCentre © 2017. Photographed by Sergey Illin.
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EJ Hill (United States) An Arrangement of Perpetuities, 2017. Wood, ice, soil, plants, inflatable vinyl pools, LEDs
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EJ Hill (United States) An Arrangement of Perpetuities, 2017. Wood, ice, soil, plants, inflatable vinyl pools, LEDs
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EJ Hill (United States) An Arrangement of Perpetuities, 2017. Wood, ice, soil, plants, inflatable vinyl pools, LEDs
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EJ Hill (United States) An Arrangement of Perpetuities, 2017. Wood, ice, soil, plants, inflatable vinyl pools, LEDs
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Andy Holden (United Kingdom) Laws of Motion in a Cartoon Landscape, 2011-2016. Digital animation and collage, 2-channel film, 60’ 00’’
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Asli Çavuşoğlu (Turkey) Future Tense, 2017. Newspaper edition of 10000 16 pages, black and white
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Asli Çavuşoğlu (Turkey) Future Tense, 2017. Newspaper edition of 10000 16 pages, black and white
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Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media
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Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media
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Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media
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Kemang Wa Lehulere (South Africa) Time Remembers Another Time, 2017. Chalk drawing and wall-carving. Co-produced by PinchukArtCentre
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Kemang Wa Lehulere (South Africa) Time Remembers Another Time, 2017. Chalk drawing and wall-carving. Co-produced by PinchukArtCentre
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Kemang Wa Lehulere (South Africa) Time Remembers Another Time, 2017. Chalk drawing and wall-carving. Co-produced by PinchukArtCentre
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Kemang Wa Lehulere (South Africa) Once Bitten, Twice Shy, 2016. Salvaged school desks, dentures, gold-leaf-covered books, steel
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Vivian Caccuri (Brazil) Oratorio (Tidal Wave), 2017. Subwoofers, tallow candles, microphone stands, sound amplifiers, iPod, mono audio, сomposed by the artist
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Vivian Caccuri (Brazil) Oratorio (Tidal Wave), 2017. Subwoofers, tallow candles, microphone stands, sound amplifiers, iPod, mono audio, сomposed by the artist
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Njideka Akunyili Crosby (Nigeria). Harmattan Haze, 2014. Acrylic, color pencils, charcoal, transfers on paper. Private Collection
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Njideka Akunyili Crosby (Nigeria). Cassava Garden, 2015. Acrylic, transfers, colored pencils, charcoal, commemorative fabric on paper. Courtesy of Victoria Miro Gallery
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Njideka Akunyili Crosby (Nigeria). Cassava Garden, 2015. Acrylic, transfers, colored pencils, charcoal, commemorative fabric on paper. Courtesy of Victoria Miro Gallery
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Li Ran (China) Retransformation of the Supporting Roles, 2017. 2-channel synchronization video, 12’ 00’’
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Li Ran (China) Retransformation of the Supporting Roles, 2017. 2-channel synchronization video, 12’ 00’’
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Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, arduino, Mac Mini, interactive code, voice recordings, 29’ 55’’
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Phoebe Boswell (Kenya). Mutumia, 2016, Interactive installation Handdrawn animation, looped projection, pressure sensors, arduino, Mac Mini, interactive code, voice recordings, 29’ 55’’
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Phoebe Boswell (Kenya). Mutumia, 2016, Interactive installation Handdrawn animation, looped projection, pressure sensors, arduino, Mac Mini, interactive code, voice recordings, 29’ 55’’
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Phoebe Boswell (Kenya). Mutumia, 2016, Interactive installation Handdrawn animation, looped projection, pressure sensors, arduino, Mac Mini, interactive code, voice recordings, 29’ 55’’
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Sasha Pirogova (Russia). MONO, 2016 Video installation, 2 channels, 15’ 32’’
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Sasha Pirogova (Russia). MONO, 2016 Video installation, 2 channels, 15’ 32’’
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Carla Chaim (Brazil) Rectangle Piece, 2017. Archival inkjet print Produced by PinchukArtCentre
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Carla Chaim (Brazil) Rectangle Piece, 2017. Archival inkjet print Produced by PinchukArtCentre
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Carla Chaim (Brazil) Rectangle Piece, 2017. Archival inkjet print Produced by PinchukArtCentre
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Carla Chaim (Brazil) Section Piece, 2017. Archival inkjet print Produced by PinchukArtCentre
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Iván Argote (Colombia). Ideologically Yours: on What We Feel, How We Feel It, and... the World, 2014-2017. Іnstallation, media variable
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Iván Argote (Colombia) Ideologically Yours: on What We Feel, How We Feel It, and... the World, 2014-2017. Іnstallation, media variable
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Iván Argote (Colombia). Ideologically Yours: on What We Feel, How We Feel It, and... the World, 2014-2017. Іnstallation, media variable
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Iván Argote (Colombia). Ideologically Yours: on What We Feel, How We Feel It, and... the World, 2014-2017. Іnstallation, media variable
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Firelei Báez (Dominican Republic) Trust Memory Over History (Seeking counsel with the Rada Loa), 2017 Gouache, ink, gold foil, chine-colle on 140 deaccessioned book pages
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Firelei Báez (Dominican Republic) Trust Memory Over History (Seeking counsel with the Rada Loa), 2017 Gouache, ink, gold foil, chine-colle on 140 deaccessioned book pages
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Firelei Báez (Dominican Republic) Trust Memory Over History (Seeking counsel with the Rada Loa), 2017 Gouache, ink, gold foil, chine-colle on 140 deaccessioned book pages
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Firelei Báez (Dominican Republic) Trust Memory Over History (Seeking counsel with the Rada Loa), 2017 Gouache, ink, gold foil, chine-colle on 140 deaccessioned book pages
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Kameelah Janan Rasheed (United States) Unto Itself, 2017 Monoprints, photographs, xerox copies, archival inkjet prints, text
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Kameelah Janan Rasheed (United States) Unto Itself, 2017 Monoprints, photographs, xerox copies, archival inkjet prints, text
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Kameelah Janan Rasheed (United States) Unto Itself, 2017 Monoprints, photographs, xerox copies, archival inkjet prints, text
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Kameelah Janan Rasheed (United States) Unto Itself, 2017 Monoprints, photographs, xerox copies, archival inkjet prints, text
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Martine Syms (United States) Lessons I-LXXV, 2014-2017 Series of 0’ 30’’ videos. Courtesy of the artist and Bridget Donahue Gallery
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Martine Syms (United States Lessons I-LXXV, 2014-2017 Series of 0’ 30’’ videos. Courtesy of the artist and Bridget Donahue Gallery
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Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel
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Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel
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Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel
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Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel
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Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel
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Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre
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Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre
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Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre
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Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre
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Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre
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Vajiko Chachkhiani (Georgia) Winter Which Was Not There, 2017 Video, 9’ 00’’ Co-produced by PinchukArtCentre
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Vajiko Chachkhiani (Georgia) Winter Which Was Not There, 2017 Video, 9’ 00’’ Co-produced by PinchukArtCentre
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Open Group (Ukraine) Diorama, 2017 Video, 42’ 03’’
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Open Group (Ukraine) Diorama, 2017 Video, 42’ 03’’
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Rebecca Moss (United Kingdom) Low Tide (Fountain), 2015 Video, 6’ 16’’
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Rebecca Moss United Kingdom Low Tide (Fountain), 2015 Video, 6’ 16’’
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Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
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Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
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Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
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Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
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Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
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Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
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Christian Falsnaes (Denmark). Feed, 2017. Mirrors, curtain, lighting, live-stream on HD screen, camera-person, instructor, visitors.
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Christian Falsnaes (Denmark). Feed, 2017. Mirrors, curtain, lighting, live-stream on HD screen, camera-person, instructor, visitors.
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Christian Falsnaes (Denmark). Feed, 2017. Mirrors, curtain, lighting, live-stream on HD screen, camera-person, instructor, visitors.