Exhibition of 21 Artists Shortlisted for the Future Generation Art Prize 2017 / PinchukArtCentre

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Exhibition of 21 Artists Shortlisted for the Future Generation Art Prize 2017

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Photographs provided by the PinchukArtCentre © 2017. Photographed by Sergey Illin.

News: Exhibition of 21 Shortlisted Artists for the Future Generation Art Prize 2017 at the PinchukArtCentre

Exhibiton: Exhibition of 21 Artists Shortlisted for the Future Generation Art Prize 2017

EJ Hill (United States) An Arrangement of Perpetuities, 2017. Wood, ice, soil, plants, inflatable vinyl pools, LEDs

Andy Holden (United Kingdom) Laws of Motion in a Cartoon Landscape, 2011-2016. Digital animation and collage, 2-channel film, 60’ 00’’

Asli Çavuşoğlu (Turkey) Future Tense, 2017. Newspaper edition of 10000 16 pages, black and white

Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media

Kemang Wa Lehulere (South Africa) Time Remembers Another Time, 2017. Chalk drawing and wall-carving. Co-produced by PinchukArtCentre

Kemang Wa Lehulere (South Africa) Once Bitten, Twice Shy, 2016. Salvaged school desks, dentures, gold-leaf-covered books, steel

Vivian Caccuri (Brazil) Oratorio (Tidal Wave), 2017. Subwoofers, tallow candles, microphone stands, sound amplifiers, iPod, mono audio, сomposed by the artist

Njideka Akunyili Crosby (Nigeria). Harmattan Haze, 2014. Acrylic, color pencils, charcoal, transfers on paper. Private Collection

Njideka Akunyili Crosby (Nigeria). Cassava Garden, 2015. Acrylic, transfers, colored pencils, charcoal, commemorative fabric on paper. Courtesy of Victoria Miro Gallery

Li Ran (China) Retransformation of the Supporting Roles, 2017. 2-channel synchronization video, 12’ 00’’

Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, arduino, Mac Mini, interactive code, voice recordings, 29’ 55’’

Phoebe Boswell (Kenya). Mutumia, 2016, Interactive installation Handdrawn animation, looped projection, pressure sensors, arduino, Mac Mini, interactive code, voice recordings, 29’ 55’’

Sasha Pirogova (Russia). MONO, 2016 Video installation, 2 channels, 15’ 32’’

Carla Chaim (Brazil) Rectangle Piece, 2017. Archival inkjet print Produced by PinchukArtCentre

Carla Chaim (Brazil) Section Piece, 2017. Archival inkjet print Produced by PinchukArtCentre

Iván Argote (Colombia). Ideologically Yours: on What We Feel, How We Feel It, and... the World, 2014-2017. Іnstallation, media variable

Iván Argote (Colombia) Ideologically Yours: on What We Feel, How We Feel It, and... the World, 2014-2017. Іnstallation, media variable

Iván Argote (Colombia). Ideologically Yours: on What We Feel, How We Feel It, and... the World, 2014-2017. Іnstallation, media variable

Firelei Báez (Dominican Republic) Trust Memory Over History (Seeking counsel with the Rada Loa), 2017 Gouache, ink, gold foil, chine-colle on 140 deaccessioned book pages

Kameelah Janan Rasheed (United States) Unto Itself, 2017 Monoprints, photographs, xerox copies, archival inkjet prints, text

Martine Syms (United States) Lessons I-LXXV, 2014-2017 Series of 0’ 30’’ videos. Courtesy of the artist and Bridget Donahue Gallery

Martine Syms (United States Lessons I-LXXV, 2014-2017 Series of 0’ 30’’ videos. Courtesy of the artist and Bridget Donahue Gallery

Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel

Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre

Vajiko Chachkhiani (Georgia) Winter Which Was Not There, 2017 Video, 9’ 00’’ Co-produced by PinchukArtCentre

Open Group (Ukraine) Diorama, 2017 Video, 42’ 03’’

Rebecca Moss (United Kingdom) Low Tide (Fountain), 2015 Video, 6’ 16’’

Rebecca Moss United Kingdom Low Tide (Fountain), 2015 Video, 6’ 16’’

Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters

Christian Falsnaes (Denmark). Feed, 2017. Mirrors, curtain, lighting, live-stream on HD screen, camera-person, instructor, visitors.