Future Generation Art Prize 2024

The PinchukArtCentre presents an exhibition of the 21 shortlisted artists for the 7th edition of the Future Generation Art Prize. Running from October 4, 2024, to January 19, 2025, the show gives a remarkable view on the artistic vision of the next generation of artists. Established by the Victor Pinchuk Foundation in 2009, the Future Generation Art Prize is a biannual global contemporary art prize to discover, recognise and give long-term support to a future generation of artists all over the world.

For the exhibition at the PinchukArtCentre in Kyiv, the artists are creating new works or showing their recent projects. Coming from different countries including Ukraine, the diversity of the artistic approaches reflects the global origins of the participants. The exhibition brings their unique cultural perspectives and practices to engage with today’s pressing issues. Local histories and mythologies are unfolding in an attempt to overcome historical trauma and the long-lasting effects of wars, as well as the process of liberation from the oppression of colonial influence. A defining aspect of this year’s nominees is their deep sensitivity to the inner ties that unite families and communities, and their exploration of collective actions for solidarity and healing from loss. In their works, the artists remain committed to examining identity, weaving together conversations with past generations and the landscapes that shape them.

The shortlist of the Future Generation Art Prize 2024 includes Sinzo Aanza (33, Congo), Tara Abdullah Mohammed Sharif (27, Iraq), Julian Abraham ‘Togar’ (36, Indonesia), Andrius Arutiunian (32, Lithuania), Salim Bayri (31, Morocco), Castiel Vitorino Brasileiro (27, Brazil), Giulia Cenci (35, Italy), Nolan Oswald Dennis (35, South Africa), Yasmine El Meleegy (32, Egypt), Bekhbaatar Enkhtur (29, Mongolia), Veronika Hapchenko (28, Ukraine), Dana Kavelina (28, Ukraine), Marie-Claire Messouma Manlanbien (33, France), Dina Mimi (29, Palestine), Sandra Mujinga (34, Norway), Hira Nabi (36, Pakistan), Ipeh Nur (30, Indonesia), Ashfika Rahman (35, Bangladesh), Buhlebezwe Siwani (36, South Africa), Zhang Xu Zhan (35, Taiwan) and Ziyang Wu (33, China).

The jury will determine the winners of the main prize and special prizes during the Future Generation Art Prize exhibition at the PinchukArtCentre in Kyiv. Prizes are awarded at a ceremony in October 2024.

The main prize winner receives a US $100,000 split between a $60,000 cash prize and a $40,000 investment in their practice. A further $20,000 is awarded as a special prize/s between up to five artists at the discretion of the jury for supporting projects that develop their artistic practice.

Curators: Inga LāceOleksandra Pogrebnyak and Daria Shevtsova.

Inga Lāce
сo-curator of the exhibition, highlights the artists’ shared empathy with Ukraine:
“During our first conversations with the artists, we felt a strong sense of solidarity as they expressed their desire to connect their experiences to Ukraine. This connection emerged through discussions about the abstraction of war statistics, personal stories of grief, and global practices of resilience. We also encountered numerous emancipatory voices of women—stories and practices from those who have been historically oppressed or marginalised in different parts of the world but are now finding their footing. These conversations naturally led us to question how, in moments of political deadlock, hope can emerge—how movements can form, bringing bodies and energy towards hope, resistance, and ultimately, liberation.”

Exhibited works

A Cup Of Tea With Fathy Mahmoud,
A Cup Of Tea With Fathy Mahmoud, 2024 A4 offset printed paper, metal trolleys, edition of 50,000 Publisher: Esmat Publishing List, Cairo, Egypt Editor: Nour El Safoury Translator: Yasmine Zohdi Designer: Mostafa Samy Courtesy of the Artist and publisher Co-Produced by Esmat Publishing List with the support of PinchukArtCentre Magic Lamp, 2024 porcelain on Marmox board, wood and binding Studio Team: Veronica Bassem, Mariam Maher, Menna El Amry Courtesy of the Artist Produced with the support of PinchukArtCentre
Attitudes of Time – Chapter 4
soil, willow trees, paint, hammocks Courtesy of the Artist Produced with the support of PinchukArtCentre
Behula and a Thousand Tales
green cotton fabric, gold silk thread with metal frame Courtesy of the Artist Photo: Oleksandr Piliugin
Bekhbaatar Enkhtur
Woman on a Deer, 2024 bas relief on copper Rabbit, 2024 bas relief on copper Woman, 2024 bas relief on copper 15 faces, 2024 bas relief on copper Vulture, 2024 bas relief on copper Horse, 2024 bas relief on copper Wolf, 2024 bas relief on copper Magpie, 2024 sculture in beeswax Courtesy of the Artist Produced with the support of PinchukArtCentre
Care
Care, 2024 glass, ceramic, first aid tools, DF panels Operation Plan, 2024 dried plants, 20 survival blankets Courtesy of the Artist and Galerie Cécile Fakhoury (Abidjan, Dakar, Paris) Produced with the support of PinchukArtCentre
Dina Mimi
Thousand Thrashing Arms, 2024 video, 12’ Courtesy of the artist
End Pull
analog video, sound, 52’ Courtesy of the Artist Produced with the support of PinchukArtCentre and the Biennale de Lyon
Hira Nabi
How to Love a Tree, 2019–ongoing How to Love a Tree, Chapter III, 2021–2024 cyanotype, silkscreen print, and rubbing on fabric Courtesy of the Artist Produced with the support of PinchukArtCentre and Jan van Eyck Academie Wild Encounters, How to Love a Tree, Chapter IV, 2023 3 channel digital video, 18’ Courtesy of the Artist
Human Composition
Human Composition, 2024 acrylic and ink on canvas Untitled, 2024 acrylic and ink on canvas Engineer, 2024 acrylic and ink on canvas Engineer II, 2024 acrylic and ink on canvas Sound, 2024 acrylic and ink on canvas Courtesy of the Artist
InBetween, 2024
boundary metal sheets, acrylic, spray paint, speakers with audio recording of Kurdish wailing Courtesy of the Artist Produced with the support of PinchukArtCentre
Ipeh Nur
Ombak Belum Tidur [The Waves Haven’t Slept], 2024 rock powder, charcoal, indigo paste, eggshell, marble powder, turmeric, charcoal pencil on canvas, iron frame, banana stem fiber, flashlights, video, 11’15’’ Courtesy of the Artist Produced with the support of PinchukArtCentre
Kalisya
wood, resin, coltan, copper, vegetable fibers
Needless to Say
cans, jars, buckets, grain bags, bottled oils, and other durable provisions; paintings on canvas, pencil drawings on paper; digital print on vinyl; videos (0’17’’ and 1’38’’ looped) The pantry was stocked by Maryna Muraviova Courtesy of the Artist Produced with the support of PinchukArtCentre
Nolan Oswald Dennis
Preoccupations, 2024 sculptural objects, wall painting, 3-channel video, sound Untitled, 2024 3-channel video, 16’12’’ Courtesy of the Artist Produced with the support of PinchukArtCentre Limpopo Soft Rock, 2024 fabric, recycled polystyrene, edition 5/6 Courtesy of the Artist and Goodman Gallery Produced with the support of PinchukArtCentre and INSITE Articulated Desk 1, 2024 alder, metal, plastic globe Courtesy of the Artist and Goodman Gallery Produced with the support of PinchukArtCentre Articulated desk 2, 2024 alder, metal, plastic globe Courtesy of the Artist and Goodman Gallery Produced with the support of PinchukArtCentre Discrete Shelf 01 (pedagogies), 2024 wood, MDF panel, metal, books, fabric, holofiber Courtesy of the Artist and Goodman Gallery Produced with the support of PinchukArtCentre Limpopo Soft Rock, 2024 fabric, recycled polystyrene, edition 6/6 Courtesy of the Artist and Goodman Gallery Produced with the support of PinchukArtCentre and INSITE Untitled, 2024 sound, 16’12’’ Courtesy of the Artist Produced with the support of PinchukArtCentre Discrete Cabinet 00 (burden), 2024 wood, MDF panel, metal, acryl, rubber, books, fabric, holofiber Courtesy of the Artist Produced with the support of PinchukArtCentre Propositional notes 4 a planet (interdependent), 2024 wall painting Courtesy of the Artist and Goodman Gallery Produced with the support of PinchukArtCentre
OK Studio
OK Studio, 2020–ongoing posters, photos, drum, guitar, rug, video Courtesy of the Artist Produced with the support of PinchukArtCentre One Jam Per Week Will Do You Youth, 2024 video, 29’03’’ Courtesy of the Artist Produced with the support of the Nottingham Contemporary Photo documentation of OK Studio, 2020–2024 risograph print on paper Courtesy of the Artist Produced with the support of PinchukArtCentre Untitled, 2024 screen printed signage, wooden structure Courtesy of the Artist Produced with the support of PinchukArtCentre OK Studio – Kyiv, 2024 Program of jam sessions in collaboration with 20ft Radio Courtesy of the Artist Supported by PinchukArtCentre
Taki pejzaż [Such a Landscape]
animation, 7’ Courtesy of the artist Produced with the support of PinchukArtCentre and Pochen Biennale
Unfold and Repair
cotton, steel, foam Courtesy of the Artist, Croy Nielsen (Vienna) and The Approach (London) Produced with the support of PinchukArtCentre
Uthuthu ethuthwini, uthuli eluthulini [Ashes to Ashes, Dust to Dust]
video, 9’47’’ Courtesy of the artist Produced with the support of the PinchukArtCentre
ZHANG XU Zhan
Animal Story Series, 2024 wire, newspaper, glazed paper, paste, plastic beads, accessories Courtesy of the Artist and Project Fulfill Art Space Compound Eyes of Tropical, 2020–2022 video, stop motion animation, 4K, 16’55’’ Courtesy of the Artist and Project Fulfill Art Space Untitled, 2022 video, stop motion animation, 4K, 0’38’’ Courtesy of the Artist and Project Fulfill Art Space Wolf, Tiger and other, 2022 video, stop motion animation, 4K, 5’13’’ Courtesy of the Artist and Project Fulfill Art Space
Ziyang Wu
Agartha, 2024 video game, lightboxes, video, 15’02’’ Courtesy of the artist Produced with the support of the PinchukArtCentre
lento-violento (kyiv 024) [slow (and) violent (kyiv 024)]
metal, car parts, scooter parts, agricultural tools, aluminum Courtesy of the Artist Produced with the support of PinchukArtCentre

Jury

A distinguished international jury determines the main prize and special prizes winners at their meeting in Kyiv during the Future Generation Art Prize exhibition at the PinchukArtCentre. They award the prizes at a ceremony on the day of the meeting.

Cecilia Alemani
Cecilia Alemani
Curator of The Milk of Dreams, 59th International Art Exhibition at La Biennale di Venezia (2022).
Hou Hanru
Hou Hanru
Art critic and curator, former Artistic Director of MAXXI, National Museum of 21st Century Arts, Rome.
Diane Lima
Diane Lima
Independent curator, writer and is a key Black feminist voice in Brazilian contemporary art.
Simon Njami
Simon Njami
Independent curator, lecturer, art critic and novelist.
Bjorn Geldhof
Bjorn Geldhof
Artistic Director at the PinchukArtCentre (Kyiv)
Alicia Knock
Alicia Knock
Curator, Head of the Contemporary Creation and Prospective Department at the Centre Pompidou.
Bonaventure Soh Bejeng Ndikung
Bonaventure Soh Bejeng Ndikung
Director and chief curator of Haus der Kulturen der Welt.

Selection Committee

Seven outstanding experts, each one appointed by one of the jury members, will review every application and will nominate 20 artists for the short list.

Raphael Chikukwa
Raphael Chikukwa
Executive director and chief curator of the National Gallery of Zimbabwe
Mariam Elnozahy
Mariam Elnozahy
Curator, researcher, and writer, who now has been appointed Artistic Director of Konsthall C in Stockholm, Sweden
Billy Fowo
Billy Fowo
Curator at SAVVY Contemporary Berlin and writer
Evelyne Jouanno
Evelyne Jouanno
Independent curator and art historian, professor at NABA (Rome)
Inga Lāce
Inga Lāce
Chief сurator of the Almaty Museum of Arts
Thiago de Paula Souza
Thiago de Paula Souza
Curator, educator, and member of the curatorial board of Nesr Art foundation