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Dmytro Dulfan

In progress
Biography
1971 - 1971

Born into the family of Ukrainian artist Lucien Dulfan (b. 1942)

... - 1991

Studied at the Odessa Art School named after Grekov, specializing as a decorative artist in the workshop of Valentin Zakharchenko

1980s - present

Was influenced by a friend of the family of the conceptual artist Serhiy Anufriyev and Pavlo Peppershtein

1980s

Together with writers from Odesa Dmytro Ligeiros and Volodymyr Volodymyrov, we created the group Yellow hammer, which was engaged in performative practices

1991 - 1993

With the assistance of Oleksandr Roitburd, he got acquainted with the artists of the squat "Paris Commune" in Kyiv, began to befriend Oleh Holosiy, Oleksandr Hnylytskyi, Valeriya Trubina, and others. He participated in joint exhibition projects. He visited Moscow, where he lived in a squat on Petrovsky Boulevard

mid-90s

After the exhibition «PostAnaesthesia. Dialog mit Kiew» [«PostAnaesthesia. Dialog mit Kiew»] 1992-1993, he moved from painting to objects, installations, and performative practices

2000 - present

Returned to painting. Creates contemporary art exhibitions featuring young artists from Odessa

2012 - present

In an Odessa wine shop, he created the "Window" gallery, where he organizes exhibitions of contemporary art, photography, and more.

The works are in the collection of the Odessa Museum of Modern Art, as well as in private collections in Ukraine, Russia, and others.

Exhibitions
1990
New figurations, 1990, Odessa, Ukraine
1992
Petrovskyi Boulevard
1992.03.06 - 1992.03.21
Calm
1992.06.10 - [?]
Summer
1992.09.11 - 1992.09.27
Postanesthesia. Dialogue with Kyiv [PostAnaesthesia. Dialog mit Kiew]
1992.12.04 - 1993.01.06
Postanesthesia [PostAnaesthesia]
1993.01.15 - 1993.02.07
Postanesthesia [PostAnaesthesia/Постанестезія]
1993.07.06 - 1993.07.20
DREAM (A Dream of One Night)
1994.01.29 - 1994.02.10
Terrible-love
1995
Wild shadows of love
1995.10.01 - 1995.10.10
Kandinsky Syndrome
1995.12.08 - 1995.12.18
Dr. Frankenstein's Office. Neo-chimerism.
1996
March weekend
1996
Phantom of the Opera
1996.01.10 - 1996.08.15
Hermetic forest
1996.02.02 - 1996.02.07
4 rooms
1996.03.23 - 1996.03.24
Moscow week-end, performance festival
1996.05.24 - 1996.05.27
The Sinking of the Titanic
1997
Carbon art
1997
With candy
1997
Natural selection
1997
Supermarket
1997.01.30 - 1997.02.24
Greenhouse affect
1997.03.[?] - 1997.04.[?]
Photo…synthesis
1997.04.12 - 1997.05.05
New file, within the framework of the music festival «Two Days and Two Nights»
1997.07.25 - 1997.08.02
Supermarket
1997.10.18
Sichyk + Khrushchyk. New version
1997.11.14 - 1997.11.21
KANDIMAN
1997.11.14 - 1997.11.21
Artificial selection
1998
Underwater
1998.02.20 - 1998.03.01
Purple velvet
1998.07.15 - 1998.07.30
Cold Academy
1999
Screen adaptation
1999
When screens become thinner
1999
Mirage
1999
The taste of another
1999
Modern photographers
1999
TV leasing
1999
Cynicism
1999.01.24
Werewolf. The Hunt Continues
2000
1+1
2000
Two sides
2000
Ecology of the soul
2000
Crime
2000
New actions
2000
Positive reaction
2000
Clean room
2001
Untitled
2001
Out of town
2001
Noble is only the understanding of one's own ignorance
2001.11.02 - 2001
International Festival Multimedia Project
2002
Collaborations
2002
Cultural hero
2002.02.07 - 2002.04.02
Ukraine Berlin
2003
Documents
2003
Start
2003.09.23 - 2003.11.09
Donumenta. Festival of Ukrainian Art
2003.11.22 - 2003.12.05
First collection
2004
Moscow Art Workshops
2004.02.26 - 2004.03.26
Lurics
2005
New Year
2005.05.26 - 2005.06.18
Orange Summer I
2009
Cosmofan
2009.06.25 - 2009.07.30
Bloomsday ’09. The perfect age
2009.09.18 - 2009.11.01
Ukrainian New Wave. Art of the second half of the 1980s — early 1990s
2009.12.25 - 2010.01.26
Restart
2010
II Odessa Biennale
2010.04.16 - 2010.05.15
Restart
2011.04.05 - 2011.04.28
International Week of Contemporary Art «Cosmic Odyssey — 2011»
2011.05.09 - 2011.05.20
White spirit/White spirit
2011.08.23 - 2011.09.18
Independent
2011.10.21 - 2011.10.28
Pre-auction exhibition «Contemporary art» of the auction house «Golden Ratio», 2011
2012
Fairy tale
2012
Віннале
2012.12.21 - 2013.01.20
Yellow giants
2013
III Odessa Biennale
2013
Анекдот
2013.06.12 - 2013.06.30
Odessa School. Traditions and Relevance. Mystetskyi Arsenal
2014
Horizons of Temporality
2015.06.12 - 2015.09.20
Enfant terrible. Odesa conceptualism
2016.10.06 - 2016.10.20
Etheric & Bodies
2016.10.21 - 2017.01.08
Parkomuna. Place. Community. Phenomenon
2018.03.01 - 2018.05.06
FLASHBACK. Ukrainian media art of the 1990s.
Bibliography
  1. "White Spirit" – a new project by Dmytro Dulfan at the Odessa gallery "HudPromo" [Electronic resource] // ART Ukraine. – 2011. – Access mode to the resource: http://artukraine.com.ua/n/belyy-duh-novyy-proekt-dmitriya-dulfana-v-odesskoy-galeree-hudpromo/#.V6SmYriLQhc."White Spirit" – a new project by Dmytro Dulfan at the Odessa gallery "HudPromo" [Electronic resource] // ART Ukraine. – 2011. – Access mode to the resource: http://artukraine.com.ua/n/belyy-duh-novyy-proekt-dmitriya-dulfana-v-odesskoy-galeree-hudpromo/#.V6SmYriLQhc.
  2. Enfant Terrible. Odesa Conceptualism: 12.06.2015- 20.09.2015, National Art Museum of Ukraine / Odesa Museum of Contemporary Art; Exhibition curator Myroslav Kulchytsky; Project manager Semen Kantor; Editor Viktoriya Velykodomenko; Introductory article by Maksym Kovalchuk.– Odesa: Odesa Museum of Contemporary Art, 2015.– [106] p. : ill.
  3. Postanaesthesia: Dialogue with Kyiv, eight Ukrainian artists in Munich. An album. / Christoph Wiedemann; Konstantin Akinsha / Munich: Spielmotor Munich, 1993. – 127 p. : ill. ; 28 cm.
  4. Golubovsky E. “Troubled Greed”: Dmitry Dulfan [Electronic resource] / E. Golubovsky, E. Demenyuk // ART UKRAINE. – 2010. – Access mode to the resource: http://artukraine.com.ua/a/quotsmutnaya-alchbaquot-dmitriy-dulfan/#.V58szLiLQhc.
  5. Denisova I. Dmitry Dulfan: unwillingness to perpetuate war [Electronic resource] / Irina Denisova // Cultprostir. – 2014. – Access mode to the resource: http://cultprostir.ua/ru/post/dmitriy-dulfan-nezhelanie-uvekovechivat-voynu.
  6. Dulfan D. White Spirit = Whitespirit: May-June 2011 / Dmitry Dulfan; Compiled by Mikhail Rashkovetsky; Photos by Oksana Kanivets, Alexey Kravtsov.– Odessa: Gallery “HudPromo”, 2011.– 34 p., [13] sheets of illustrations. Title on cover: Dmitry Dulfan. – In Russian, English: 20.00.
  7. Dulfan D. The End of Plot Logic / Dulfan D. // Portfolio: Art of Odessa in the 1990s: Odessa. – Center for Contemporary Art “TIRS”. – 1999. – P.196
  8. Dulfan D. Planetary Thinking / D. Dulfan // Portfolio: Art of Odessa in the 1990s: Odessa. – Center for Contemporary Art “TIRS”. – 1999. – P.197
  9. Dulfan D. The Touch of Mystery / D. Dulfan // Portfolio: Art of Odessa in the 1990s: Odessa. – Center for Contemporary Art “TIRS”. – 1999. – P.56
  10. Dulfan D., Perlovsky F. Is it easy to move in a spacesuit (towards a black hole) / D. Dulfan. F. Perlovsky // Portfolio: Art of Odessa in the 1990s: Odessa. – Center for Contemporary Art “TIRS”. – 1999. – P.198
  11. Zharkova M. Two Dulfans / M. Zharkova // Portfolio: Art of Odessa in the 1990s : Odessa. – Center for Contemporary Art “Tirs”. – 1999. – P.200-2002
  12. Yellow Hammer. Placebo geography as a modal pseudoconversion of polyconcentrated heroics. Modal operator Vladimirov. / Yellow Hammer // Portfolio: Art of Odessa in the 1990s: Odessa. – Center for Contemporary Art “TIRS”. – 1999. – P.304
  13. Rashkovetsky M. “New Art”? “Yes-yes”! / M. Rashkovetsky // Portfolio: Art of Odessa in the 1990s. – Odessa: Center of Contemporary Art “Tirs”. – 1999. – P.96.
  14. Photo…synthesis: Visual Art of Ukraine at the End of the 20th Century (catalog) // Kyiv: International Renaissance Foundation, Soros Center for Contemporary Art, Kyiv City Charitable Foundation Parajanov
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