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Larisa Rezun-Zvezdochetova

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Biography
June 25, 1958

Born in Odessa, Ukrainian SSR.

1975 - 1982

Studied at the Art and Graphic Faculty of the Odesa Pedagogical Institute named after Ushynsky (now — South Ukrainian National Pedagogical University named after K. D. Ushynsky)

Worked as a methodologist at the House of Folk Art in Odessa.

1984 - early 1990s

Moved to Moscow. Was in a relationship with Konstantin Zvezdochetov, they got married in 1987. Lived and collaborated in squats and collectives of AptArt, the Avant-Garde Club ("Klava"), lived on Furmanov Lane, and more.

1992 - 1995

Moved abroad. Taught at the academies of arts in Oslo and Gothenburg. Conducted master classes at the Center for Contemporary Art, Moscow. At the invitation of the city of Paris, participated in an art residency in France.

2000

She was a scholarship holder of the Civitella Ranieri Foundation Fellowship program, Umbertide, Italy

The works are held in the collections of the State Tretyakov Gallery (Moscow, Russian Federation); the State Russian Museum (Saint Petersburg, Russian Federation); the Katerina Cultural Foundation (Moscow, Russian Federation); the Stella Art Foundation Collection (Moscow, Russian Federation); the Simon Waldron Collection; the National Center for Art and Culture Georges Pompidou (Paris, France), and others.

Exhibitions
1993, лютий
In the cooling boilers: Odessa underground of the 80s
2007
Kandinsky Prize
2006
This gloomy work of art
2006
Extreme
2005
Gender concerns
2005
"The Winter Factor, or Snow Maidens Do Not Die!", I Moscow Biennale
2003
Women's Art
2003
Contemporary Russian Painting 1992–2002
2003
Moscow Conceptualism. Collections of G. Orshakov and V. Zakharov
2001
Mink
2001
Peel potatoes, paint pictures
2001
Voluntary refugees
1999
North Pole
1999
Visiting a Fairy Tale
1999
Style violation? Contemporary Russian artists from the Ludwig Collection
1999
Moscow Artists of XL-Gallery
1997
II Biennale in Cetinje
1996
History in Faces
1996
History in Faces
1995
Moscow Workshops 2 — Perspectives
1995
Nonconformists. From the collection of the State Museum of Contemporary Art "Tsaritsyno"
1995
Nonconformists. From the collection of the State Museum of Contemporary Art "Tsaritsyno"
1995
Nonconformists. From the collection of the State Museum of Contemporary Art "Tsaritsyno"
1995
Nonconformists. From the collection of the State Museum of Contemporary Art "Tsaritsyno"
1994
I Biennale in Cetinje
1994
Starting point — Moscow
1993
White Nights
1993
RINACO Contemporary Art Collection. Moscow 1993
1993
Temporary address for Russian contemporary art
1992
Perspectives of Conceptualism
1992
To Moscow… to Moscow
1991
Soviet Art around 1990 (Binational)
1991
Soviet Art around 1990 (Binational)
1991
Soviet Art around 1990 (Binational)
1991
Perspectives of Conceptualism
1991
Perspectives of Conceptualism
1991
A Chicken is No Bird
1991
MANI Museum — 40 Moscow Artists in the Frankfurt Carmelite Monastery
1991
Raid
1991
In the huts / In the rooms
1991
Novecento
1991
Visiting
1990
Between Spring and Summer: Soviet Conceptual Art in the Era of Late Communism
1990
Between Spring and Summer: Soviet Conceptual Art in the Era of Late Communism
1990
For a cultural vacation
1990
Erosion
1990
Biennale of the Baltic States
1990
44th Venice Biennale
1990
The Work of Art in the Age of Perestroika
1990
ISKONSTBO
1990
Made in Furmanny
1989
Dialogue. “Avant-Garde” Russian and Soviet Contemporary Art
1989
New Jerusalem (exhibition-action)
1989
…up to 33
1993
There is no one more beautiful than you
1992
Life and Death; the Hunter and the Deer
1992
Life and Death; the Hunter and the Deer
1990
Beauty saves the world
1989
New works
2017.10.27
Anonymous society
1989
Rauschenberg to us, we to Rauschenberg
1989
Affordable art
1989
Medhermeneutics and others
1989, листопад
Furmanny Lane
2004.05.25
Art Moscow 2004, international art fair
1991.09
Aesthetic experiences (Aesthetic experiments)
2007.03.01
2nd Moscow Biennale
1997
Ecology of emptiness
1991, травень
Private lessons
1990
SchizoChina. 5th Exhibition of the Avant-Garde Club (KLAVA)
1989
Prospects of Conceptualism. 4th Exhibition of KLAVA
1989
Dear Art. 3rd Exhibition of the Avant-Garde Club (KLAVA)
1987
1st Exhibition of the Avant-Garde Club (KLAVA)
1984
Odessa Exhibition
1983
Behind the fence
2003.11.22
First collection
Bibliography
  1. The Irony Tower. Soviet artists during the glasnost era / E. Solomon — «Ad Marginem Press», 1991
  2. Boym, Svetlana. Common Places: Mythologies of Everyday Life in Russia. Harvard University Press, 1994
  3. Furmanny Lane = Furmanny Lane, with the comments of Nowicki, Piotr; Kashuk, Larisa [catalogue], Fundacja Polskiej Sztuki Nowoczesnej, Warsaw,1989
  4. Goscilo, Helena. Fruits of Her Plume: Essays on Contemporary Russian Women’s Culture. London, New York. 1993
  5. Enfant Terrible. Odesa Conceptualism: 12.06.2015- 20.09.2015, National Art Museum of Ukraine / Odesa Museum of Contemporary Art; Exhibition curator Myroslav Kulchytsky; Project manager Semen Kantor; Editor Viktoriya Velykodomenko; Introductory article by Maksym Kovalchuk.– Odesa: Odesa Museum of Contemporary Art, 2015.– [106] p. : ill.
  6. Алексеев Никита. Крылышками плям-плям-плям [Арт-проект “Новый Ангеларий” в ММСИ] / Никита Алексеев // Gif.ru [archive]. – 28.09.2007 – Доступно 28.09.2007
  7. Commentary by Alexander Evangelie on the works of Larisa Rezun-Zvezdochetova // Kandinsky Prize. – Access mode: http://www.kandinsky-prize.ru/larisa-zvezdochetova/
  8. Commentary on the work of Larisa Rezun-Zvezdochetova "Wounded in the Heart" // Russian Pop Art [catalog]. – Access mode: http://exil-archiv.de/ru/Russe/www.aerofeev.ru/content/category/5/42/79/index.html
  9. Temporary address for Russian contemporary art [каталог]. Musee de la Poste, Paris, France, 1993
  10. Агамов-Тупицын В. Интервью с группой “Перцы” [Електронний ресурс] / Виктор Агамов-Тупицын // АРТГИД. – 2014. – Режим доступу до ресурсу: http://artguide.com/posts/627-gruppa-piertsy-sriedi-vydavliennykh-pryshchiei-sluchaino-obnaruzhilsia-nietronutyi-malien-kii-rozovyi-pryshchik?page=2.
  11. Князев, Сергей. Одесское искусство 90-х: трансавангард и деревянная рыбка / Сергей Князев // Музей современного искусства Одессы. [Электронный ресурс]. – Режим доступа: http://msio.com.ua/en/articles/133-odessa-art-90-by-knyazev (доступно 16.11.2017)
  12. Kimmelman, Michael. ART VIEW; Political Art Comes of Age In the U.S.S.R. // New York Times magazine. – August 19, 1990. http://www.nytimes.com/1990/08/19/arts/art-view-political-art-comes-of-age-in-the-ussr.html?pagewanted=1
  13. Larisa Zvedochetova. Under the code name "female art" // Dialogue of Arts. – 2015. – No.3. – P.70-72
  14. Zvezdochetova, Larisa. Boutonniere [catalog]. – Odessa: Khudpromo. – 2012
  15. Rezun-Zvezdochetova, Larisa. How I Became an Artist / Larisa Rezun-Zvezdochetova // Pastor (magazine). – No.6. – 1997. – P.139-141
  16. Rezun-Zvezdochetova, Larisa. Indian Notes / Larisa Rezun-Zvezdochetova // Pastor (magazine). – No.8. – 2001. – P.171-177
  17. Moscow Conceptualism. Erosion and After. edited by Kimmo Sarje: TAIDE-YLIOPISTO, 2016
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