Research Platform: Guilt exhibition
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Photographs provided by the PinchukArtCentre © 2016. Photographed by Sergey Illin.
Fast Reaction Group (Sergey Bratkov, Boris Mikhailov, Serhiy Solonsky). If I were a German, 1994 (with participation of Vita Mikhailov) silver print, private collection, Moscow
Fast Reaction Group (Sergey Bratkov, Boris Mikhailov, Serhiy Solonsky). If I were a German, 1994 (with participation of Vita Mikhailov) silver print, private collection, Moscow
Masoch Fund (Ihor Dyurych, Ihor Podolchak). The Last Jewish Pogrom, 1994, gabbro, action photo documentation Courtesy of the artists
Lesia Khomenko. After the End. 2015, watercolour on paper, satin glass, box frame. Courtesy of the artist
Masoch Fund (Ihor Dyurych, Ihor Podolchak). Happy Victory Day, Herr Müller! 1995 postal cards. Courtesy of Valeriy Sakharuk and Oleksandr Solovyov
Mykola Ridnyi. Blind spot, 2014–2015 paper, acrylic and ink on c-print; pen on paper. Courtesy of the artist
Nikita Kadan. From the Chronicles series. 2016, charcoal on paper. Courtesy of the artist
Nikita Kadan. From the Chronicles series. 2016, charcoal on paper. Courtesy of the artist
Yuri Leiderman. Geopoetics I. 2003, black and white photographs on wooden panels, performance. Courtesy of the artist
Yuri Leiderman. Geopoetics I. 2003, black and white photographs on wooden panels, performance. Courtesy of the artist
Yuri Leiderman. Geopoetics I. 2003, black and white photographs on wooden panels, performance. Courtesy of the artist
Yuri Leiderman. Geopoetics I. 2003, black and white photographs on wooden panels, performance. Courtesy of the artist
Nikita Kadan. From the Chronicles series. 2016, charcoal on paper. Courtesy of the artist
Sergey Bratkov. Crossroad. From the "Neither War, Nor Peace" series, 2009, c-print exhibition copy
Sergey Bratkov. Ghetto, 2015, c-print and lacquer on canvas. Courtesy of the Artist
Sergey Bratkov. Crossroad. From the "Neither War, Nor Peace" series, 2009, c-print exhibition copy
Nikita Kadan. Gazelka, 2015 metal. Courtesy of the artist
Mykola Ridnyi. Blind spot, 2014–2015 paper, acrylic and ink on c-print; pen on paper. Courtesy of the artist
Alevtina Kakhidze. Phone Calls from the Cemetery. 2014 audio piece 16’53’’ Courtesy of the artist
