Main pagePhoto & VideoPhotoFuture Generation Art Prize @ Venice 2017

Future Generation Art Prize @ Venice 2017

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Photographs provided by the PinchukArtCentre © 2017. Photographed by Sergey Illin.


Palazzo Contarini Polignac (Venice, Italy)
Palazzo Contarini Polignac (Venice, Italy)
Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound
Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound
Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound
Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound
Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, interactive code, voice recordings
Phoebe Boswell (Kenya). Mutumia, 2016, Interactive installation
Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, interactive code, voice recordings
Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, interactive code, voice recordings
EJ Hill, United States Pillar, 2017 Wood and rubber Dimensions Variable Produced by PinchukArtCentre
EJ Hill (United States) An Arrangement of Perpetuities, 2017
Njideka Akunyili Crosby. Cassava Garden, 2015. Acrylic, transfers, colored pencils, charcoal, commemorative fabric on paper
Njideka Akunyili Crosby. Cassava Garden, 2015. Acrylic, transfers, colored pencils, charcoal, commemorative fabric on paper
Vivian Caccuri (Brazil) Oratorio (Tidal Wave), 2017. Subwoofers, tallow candles, microphone stands, sound amplifiers, iPod, mono audio, сomposed by the artist
Vivian Caccuri (Brazil) Oratorio (Tidal Wave), 2017. Subwoofers, tallow candles, microphone stands, sound amplifiers, iPod, mono audio, сomposed by the artist
Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media
Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media
Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media
Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media
Open Group (Ukraine) Untitled, 2015 – Ongoing Table, printer, internet interface, paper Produced by PinchukArtCentre
Open Group (Ukraine) Untitled, 2015 – Ongoing Table, printer, internet interface, paper Produced by PinchukArtCentre
Open Group (Ukraine) Untitled, 2015 – Ongoing Table, printer, internet interface, paper Produced by PinchukArtCentre
Iván Argote (Colombia) Sweet Potato, 2017 Aluminium, gold leaf Courtesy of the Artist and Perrotin Co-produced by PinchukArtCentre
Carla Chaim (Brazil) Project to Resize the Room, 2017 Carbon paper, video Produced by PinchukArtCentre
Carla Chaim (Brazil) Project to Resize the Room, 2017 Carbon paper, video Produced by PinchukArtCentre
Andy Holden (United Kingdom) Animated Shorts and related works from Cartoon Landscape, 2017
Andy Holden (United Kingdom) Animated Shorts and related works from Cartoon Landscape, 2017
Andy Holden (United Kingdom) Animated Shorts and related works from Cartoon Landscape, 2017
Andy Holden (United Kingdom) Animated Shorts and related works from Cartoon Landscape, 2017
Andy Holden (United Kingdom) Animated Shorts and related works from Cartoon Landscape, 2017
Christian Falsnaes (Denmark) Feed 2, 2017 Curtains, live-stream HD projection, camera-person, instructor, visitors Produced by PinchukArtCentre
Kameelah Janan Rasheed (United States) Are We There Yet? (and other questions of proximity,destination, and relative comfort), 2017 Screen print on fabric Produced by PinchukArtCentre
Sasha Pirogova (Russia). MONO, 2016 Video installation, 2 channels, 15’ 32’’
Kemang Wa Lehulere (South Africa) Another Homeless Song (for RRR Dhlomo) 1, 2015 Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs
Kemang Wa Lehulere (South Africa) Another Homeless Song (for RRR Dhlomo) 1, 2015 Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs
Kemang Wa Lehulere, (South Africa) Another Homeless Song (for RRR Dhlomo) 1, 2015 Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs
Kemang Wa Lehulere (South Africa) Another Homeless Song (for RRR Dhlomo) 1, 2015 Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs
Kemang Wa Lehulere (South Africa) Teacher Don’t Teach Me Nonsense, 2017 Brick, Chalk on Blackboard paint, dimensions variable
Kemang Wa Lehulere (South Africa) Teacher Don’t Teach Me Nonsense, 2017 Brick, Chalk on Blackboard paint, dimensions variable
Firelei Báez (Dominican Republic) DREAMer (a demand for opacity that weaves no boundaries) Acrylic and oil on canvas, 2017
Firelei Báez (Dominican Republic) DREAMer (a demand for opacity that weaves no boundaries) Acrylic and oil on canvas, 2017
Firelei Báez (Dominican Republic) Given the ground ( the fact that it amazes me does not mean I relinquish it), An irreducible singularity (speaking to the space you fill and you keep), Acrylic and oil on canvas, 2017,
Li Ran (China), Retransformation of the Supporting Roles, 2017, Four-channel HD video installation, black metal and wood screening board & table
Li Ran (China), Retransformation of the Supporting Roles, 2017, Four-channel HD video installation, black metal and wood screening board & table
Li Ran (China), Retransformation of the Supporting Roles, 2017, Four-channel HD video installation, black metal and wood screening board & table
Li Ran (China), Retransformation of the Supporting Roles, 2017, Four-channel HD video installation, black metal and wood screening board & table
Li Ran (China), Retransformation of the Supporting Roles, 2017, Four-channel HD video installation, black metal and wood screening board & table
Christian Falsnaes (Denmark) Feed 2, 2017 Curtains, live-stream HD projection, camera-person, instructor, visitors Produced by PinchukArtCentre
Christian Falsnaes (Denmark) Feed 2, 2017 Curtains, live-stream HD projection, camera-person, instructor, visitors Produced by PinchukArtCentre
Christian Falsnaes (Denmark) Feed 2, 2017 Curtains, live-stream HD projection, camera-person, instructor, visitors Produced by PinchukArtCentre