Future Generation Art Prize @ Venice 2017 / PinchukArtCentre

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Future Generation Art Prize @ Venice 2017

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Photographs provided by the PinchukArtCentre © 2017. Photographed by Sergey Illin.

News: FUTURE GENERATION ART PRIZE @ VENICE 2017. Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia

Exhibiton: Future Generation Art Prize @ Venice 2017

Palazzo Contarini Polignac (Venice, Italy)

Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound

Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, interactive code, voice recordings

Phoebe Boswell (Kenya). Mutumia, 2016, Interactive installation

Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, interactive code, voice recordings

EJ Hill, United States Pillar, 2017 Wood and rubber Dimensions Variable Produced by PinchukArtCentre

EJ Hill (United States) An Arrangement of Perpetuities, 2017

Njideka Akunyili Crosby. Cassava Garden, 2015. Acrylic, transfers, colored pencils, charcoal, commemorative fabric on paper

Vivian Caccuri (Brazil) Oratorio (Tidal Wave), 2017. Subwoofers, tallow candles, microphone stands, sound amplifiers, iPod, mono audio, сomposed by the artist

Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media

Open Group (Ukraine) Untitled, 2015 – Ongoing Table, printer, internet interface, paper Produced by PinchukArtCentre

Iván Argote (Colombia) Sweet Potato, 2017 Aluminium, gold leaf Courtesy of the Artist and Perrotin Co-produced by PinchukArtCentre

Carla Chaim (Brazil) Project to Resize the Room, 2017 Carbon paper, video Produced by PinchukArtCentre

Andy Holden (United Kingdom) Animated Shorts and related works from Cartoon Landscape, 2017

Kameelah Janan Rasheed (United States) Are We There Yet? (and other questions of proximity,destination, and relative comfort), 2017 Screen print on fabric Produced by PinchukArtCentre

Sasha Pirogova (Russia). MONO, 2016 Video installation, 2 channels, 15’ 32’’

Kemang Wa Lehulere (South Africa) Another Homeless Song (for RRR Dhlomo) 1, 2015 Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs

Kemang Wa Lehulere, (South Africa) Another Homeless Song (for RRR Dhlomo) 1, 2015 Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs

Kemang Wa Lehulere (South Africa) Another Homeless Song (for RRR Dhlomo) 1, 2015 Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs

Kemang Wa Lehulere (South Africa) Teacher Don’t Teach Me Nonsense, 2017 Brick, Chalk on Blackboard paint, dimensions variable

Kemang Wa Lehulere (South Africa) Another Homeless Song (for RRR Dhlomo) 1, 2015 Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs

Firelei Báez (Dominican Republic) DREAMer (a demand for opacity that weaves no boundaries) Acrylic and oil on canvas, 2017

Firelei Báez (Dominican Republic) Given the ground ( the fact that it amazes me does not mean I relinquish it), An irreducible singularity (speaking to the space you fill and you keep), Acrylic and oil on canvas, 2017,

Li Ran (China), Retransformation of the Supporting Roles, 2017, Four-channel HD video installation, black metal and wood screening board & table

Christian Falsnaes (Denmark) Feed 2, 2017 Curtains, live-stream HD projection, camera-person, instructor, visitors Produced by PinchukArtCentre

Kameelah Janan Rasheed (United States) (stammer, stammer; they jam) / but, a remedy: a set of exercises, 2017 Archival inkjet prints and xeroxes. Produced by PinchukArtCentre

Aslı Çavuşoğlu (Turkey) Future Tense, 2017 Newspaper edition of 10000 16 pages, black and white. Produced by PinchukArtCentre

Vajiko Chachkhiani (Georgia) Winter Which Was Not There, 2017 Video, 9’ 00’’ Co-produced by PinchukArtCentre