Main Prize

​Lesia Vasylchenko

This installation Night Without Shadows and Light Without Rippling of Waves combines two video works: Tachyoness and Night. Thus, ​Lesia Vasylchenko compares the scales of historical temporalities, and the viewers, through their presence and observation, add a human temporal dimension, which connects the past and the future into a single moment.

The work Night recreates a century of Ukrainian night, combining video recordings of the night sky from 1918 to 2025. In this way, Vasylchenko transforms linearity into simultaneity: the video seemingly embodies one long night, with the entire century taking place at the same time, in a continuous flow. It depicts the night’s own eternal temporality, which is not reduced exclusively to the historical perspective and human existence. At the same time, it becomes a witness to many events in both the past and present. In particular, by using materials documenting blackouts and shelling, the work captures how the war turns night into a time of terror and fear. It comments on the generational nature of trauma, and its continuity through a century of history.

Night is a time for alternative stories. In contrast, daylight is associated with the discourse of the Enlightenment, which emphasizes rationality and evidence. Referring to the notion of ‘hauntology’ by Jacques Derrida, the artist emphasizes that the night erases established knowledge systems and conceals within itself all that is unwritten and undocumented, the hidden voices of those who have witnessed history but have not yet been heard and are waiting for the right moment. The night reveals a past that never fully disappears and constantly returns as a ghost of history, which affects the present and the future.

The title of the other video, Tachyoness, comes from the word ‘tachyon’, which means a hypothetical particle that travels faster than the speed of light. The work shows sunrises that occurred from 1990 to 2022, transforming 30 years of history into a single event. The video was created in collaboration with artificial intelligence, which studied hundreds of photographs collected by the artist from various sources and combined them into its own, machine-generated memory of dawn. The video references future prediction technologies, emphasizing the impact of artificial intelligence on the construction of memory. Tachyoness is 8 minutes long, which corresponds to the time it takes for sunlight to reach the Earth and the human eye.

Main Prize

While introducing Lesia Vasylchenko, winner of the PinchukArtCentre Prize 2025, the jury stated:

“The jury awards the main prize to Lesia Vasylchenko for a physically impressive while poetic work that elegantly creates a study of the Ukrainian sky—a symbol that in this realization becomes simultaneously a space of longing, trauma and hope.

The sky—once a space of freedom—becomes a backdrop for disasters, but also a space of memory and contemplation. With poetic editing and a sense of rhythm, the artist tells of a world that is changing before our eyes from 1918 till this very day—not through violent images, but through their absence, through silence, through light and shadow.

The work subtly raises urgent questions about authorship, futurity, and the algorithmic construction of historical narrative. The jury was particularly impressed by the installation’s conceptual rigour, technological sophistication, and deep emotional resonance, offering a contemplative yet urgent response to historical rupture, one that bridges intimacy with scale, and the human with the planetary.”

Artworks

Produced by PinchukArtCentre
Night Without Shadows and Light Without Rippling of Waves, 2022–2025

Tachyoness, 2022 video, 8’00’’ footage from archives, photos, YouTube, CCTV, drone footage, news clips Courtesy of the Artist Night, 2025 video footage from the H.S. Pshenychnyi Central State Cinema, Photo and Phono Archive of Ukraine and the artist’s family archives, photos, YouTube, CCTV, drone footage, news clips, videos from the frontline, provided by Yurii Tymoshenko Courtesy of the Artist