Exhibition of 21 Artists Shortlisted for the Future Generation Art Prize 2017

Exhibitions
February 25, 2017 - April 16, 2017

On February 25, 2017 the PinchukArtCentre (Kyiv, Ukraine) will present exhibition of the 21 shortlisted artists for the fourth edition of the Future Generation Art Prize, the first global art prize for artists up to 35, founded by the Victor Pinchuk Foundation in 2009. The show focuses on the presentation of newly produced works giving a remarkable view on the most actual artistic positions of a next generation of artists.

The exhibition engages with the complexities of the contemporary world and investigates the possibilities of art within it. Balancing between personal and collective, imaginary and real, familiar and uncanny, the show invites the visitors to set off the captivating journey through wide range of ideas that absorb the artists today.

The show will encompass the diverse works developed in a variety of media and formats, such as site-specific interventions, sculptures, interactive installations, performative gestures, videos, text- and sound-based projects.

20 shortlisted artists have been selected from more than 4400 coming from 138 countries, divided over all continents. The shortlisted artists were chosen by an international Selection Committee. The Open Group from Ukraine were automatically nominated to the shortlist as winners of the PinchukArtCentre Prize 2015, a national contemporary art prize awarded to young Ukrainian artists up to the age of 35.

The shortlist of theFuture Generation Art Prize 2017includes: Njideka Akunyili Crosby, 33 (Nigeria/ United States), Iván Argote, 32 (Colombia/ France), Firelei Báez, 35 (Dominican Republic/ United States), Dineo Seshee Bopape, 35 (South Africa), Phoebe Boswell, 34 (Kenya/ United Kingdom), Vivian Caccuri, 30 (Brazil), Sol Calero, 34 (Venezuela/ Germany), Asli Çavuşoğlu, 34 (Turkey), Vajiko Chachkhiani, 31 (Georgia/ Germany), Carla Chaim, 33 (Brazil), Christian Falsnaes, 35 (Denmark/ Germany), EJ Hill, 31 (United States), Andy Holden, 34 (United Kingdom), Li Ran, 30 (China), Ibrahim Mahama, 29 (Ghana), Rebecca Moss, 25 (United Kingdom), Sasha Pirogova, 29 (Russia), Kameelah Janan Rasheed, 31 (United States), Martine Syms, 28 (United States), Kemang Wa Lehulere, 32 (South Africa), Open Group (Ukraine).

The exhibition of the Future Generation Art Prize 2017 is curated by Anna Smolak.

EJ Hill (United States)
EJ Hill (United States) An Arrangement of Perpetuities, 2017. Wood, ice, soil, plants, inflatable vinyl pools, LEDs
EJ Hill (United States) An Arrangement of Perpetuities, 2017. Wood, ice, soil, plants, inflatable vinyl pools, LEDs
EJ Hill (United States) An Arrangement of Perpetuities, 2017. Wood, ice, soil, plants, inflatable vinyl pools, LEDs
EJ Hill (United States) An Arrangement of Perpetuities, 2017. Wood, ice, soil, plants, inflatable vinyl pools, LEDs
Andy Holden (United Kingdom)
Andy Holden (United Kingdom) Laws of Motion in a Cartoon Landscape, 2011-2016. Digital animation and collage, 2-channel film, 60’ 00’’
Asli Çavuşoğlu (Turkey)
Asli Çavuşoğlu (Turkey) Future Tense, 2017. Newspaper edition of 10000 16 pages, black and white
Asli Çavuşoğlu (Turkey) Future Tense, 2017. Newspaper edition of 10000 16 pages, black and white
Ibrahim Mahama (Ghana)
Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media
Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media
Ibrahim Mahama (Ghana) Non Orientable Nkansa II. 1901-2030, 2016. Exchanged shoemaker boxes, construction boards, old train parts, mix media
Kemang Wa Lehulere (South Africa)
Kemang Wa Lehulere (South Africa) Time Remembers Another Time, 2017. Chalk drawing and wall-carving. Co-produced by PinchukArtCentre
Kemang Wa Lehulere (South Africa) Time Remembers Another Time, 2017. Chalk drawing and wall-carving. Co-produced by PinchukArtCentre
Kemang Wa Lehulere (South Africa) Time Remembers Another Time, 2017. Chalk drawing and wall-carving. Co-produced by PinchukArtCentre
Kemang Wa Lehulere (South Africa) Time Remembers Another Time, 2017. Chalk drawing and wall-carving. Co-produced by PinchukArtCentre
Vivian Caccuri (Brazil)
Vivian Caccuri (Brazil) Oratorio (Tidal Wave), 2017. Subwoofers, tallow candles, microphone stands, sound amplifiers, iPod, mono audio, сomposed by the artist
Vivian Caccuri (Brazil) Oratorio (Tidal Wave), 2017. Subwoofers, tallow candles, microphone stands, sound amplifiers, iPod, mono audio, сomposed by the artist
Njideka Akunyili Crosby (Nigeria). Harmattan Haze, 2014. Acrylic, color pencils, charcoal, transfers on paper. Private Collection
Njideka Akunyili Crosby (Nigeria). Cassava Garden, 2015. Acrylic, transfers, colored pencils, charcoal, commemorative fabric on paper. Courtesy of Victoria Miro Gallery
Njideka Akunyili Crosby (Nigeria). Cassava Garden, 2015. Acrylic, transfers, colored pencils, charcoal, commemorative fabric on paper. Courtesy of Victoria Miro Gallery
Li Ran (China)
Li Ran (China) Retransformation of the Supporting Roles, 2017. 2-channel synchronization video, 12’ 00’’
Li Ran (China) Retransformation of the Supporting Roles, 2017. 2-channel synchronization video, 12’ 00’’
Phoebe Boswell (Kenya)
Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, arduino, Mac Mini, interactive code, voice recordings, 29’ 55’’
Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, arduino, Mac Mini, interactive code, voice recordings, 29’ 55’’
Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, arduino, Mac Mini, interactive code, voice recordings, 29’ 55’’
Phoebe Boswell (Kenya). Mutumia, 2016. Interactive installation Handdrawn animation, looped projection, pressure sensors, arduino, Mac Mini, interactive code, voice recordings, 29’ 55’’
Sasha Pirogova (Russia)
Sasha Pirogova (Russia). MONO, 2016 Video installation, 2 channels, 15’ 32’’
Sasha Pirogova (Russia). MONO, 2016 Video installation, 2 channels, 15’ 32’’
Carla Chaim (Brazil)
Carla Chaim (Brazil) Rectangle Piece, 2017. Archival inkjet print Produced by PinchukArtCentre
Carla Chaim (Brazil) Rectangle Piece, 2017. Archival inkjet print Produced by PinchukArtCentre
Carla Chaim (Brazil) Rectangle Piece, 2017. Archival inkjet print Produced by PinchukArtCentre
Carla Chaim (Brazil) Rectangle Piece, 2017. Archival inkjet print Produced by PinchukArtCentre
Iván Argote (Colombia)
Iván Argote (Colombia). Ideologically Yours: on What We Feel, How We Feel It, and… the World, 2014-2017. Іnstallation, media variable
Iván Argote (Colombia). Ideologically Yours: on What We Feel, How We Feel It, and… the World, 2014-2017. Іnstallation, media variable
Iván Argote (Colombia). Ideologically Yours: on What We Feel, How We Feel It, and… the World, 2014-2017. Іnstallation, media variable
Iván Argote (Colombia). Ideologically Yours: on What We Feel, How We Feel It, and… the World, 2014-2017. Іnstallation, media variable

Workshop for children with artist Ivan Argote

Firelei Báez (Dominican Republic)
Firelei Báez (Dominican Republic) Trust Memory Over History (Seeking counsel with the Rada Loa), 2017 Gouache, ink, gold foil, chine-colle on 140 deaccessioned book pages
Firelei Báez (Dominican Republic) Trust Memory Over History (Seeking counsel with the Rada Loa), 2017 Gouache, ink, gold foil, chine-colle on 140 deaccessioned book pages
Firelei Báez (Dominican Republic) Trust Memory Over History (Seeking counsel with the Rada Loa), 2017 Gouache, ink, gold foil, chine-colle on 140 deaccessioned book pages
Firelei Báez (Dominican Republic) Trust Memory Over History (Seeking counsel with the Rada Loa), 2017 Gouache, ink, gold foil, chine-colle on 140 deaccessioned book pages
Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel
Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel
Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel
Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel
Firelei Báez (Dominican Republic) The Last One Who Remembers it (or the lucky meeting of a carpathian time traveler in Cap-Haїtien), 2017 Acrylic, sheet rock, steel
Kameelah Janan Rasheed (United States)
Kameelah Janan Rasheed (United States) Unto Itself, 2017 Monoprints, photographs, xerox copies, archival inkjet prints, text
Kameelah Janan Rasheed (United States) Unto Itself, 2017 Monoprints, photographs, xerox copies, archival inkjet prints, text
Kameelah Janan Rasheed (United States) Unto Itself, 2017 Monoprints, photographs, xerox copies, archival inkjet prints, text
Kameelah Janan Rasheed (United States) Unto Itself, 2017 Monoprints, photographs, xerox copies, archival inkjet prints, text
Martine Syms (United States) Lessons I-LXXV, 2014-2017 Series of 0’ 30’’ videos. Courtesy of the artist and Bridget Donahue Gallery
Martine Syms (United States) Lessons I-LXXV, 2014-2017 Series of 0’ 30’’ videos. Courtesy of the artist and Bridget Donahue Gallery
Dineo Seshee Bopape (South Africa)
Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre
Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre
Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre
Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre
Dineo Seshee Bopape (South Africa) mabu/mubu/mmu, 2017 Soil, ceramics, herbs, crystals, coal, ash, sound. Co-produced by PinchukArtCentre
Vajiko Chachkhiani (Georgia)
Vajiko Chachkhiani (Georgia) Winter Which Was Not There, 2017 Video, 9’ 00’’ Co-produced by PinchukArtCentre
Vajiko Chachkhiani (Georgia) Winter Which Was Not There, 2017 Video, 9’ 00’’ Co-produced by PinchukArtCentre
Open Group (Ukraine)
Open Group (Ukraine) Diorama, 2017 Video, 42’ 03’’
Open Group (Ukraine) Diorama, 2017 Video, 42’ 03’’
Rebecca Moss (United Kingdom)
Rebecca Moss (United Kingdom) Low Tide (Fountain), 2015 Video, 6’ 16’’
Rebecca Moss (United Kingdom) Low Tide (Fountain), 2015 Video, 6’ 16’’
Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
Sol Calero (Venezuela) Casa de Cambio, 2016. Counter, paintings, office chairs, plants, vitrine, TVs, bill edition, jewelry, posters
Christian Falsnaes (Denmark)
Christian Falsnaes (Denmark). Feed, 2017. Mirrors, curtain, lighting, live-stream on HD screen, camera-person, instructor, visitors.
Christian Falsnaes (Denmark). Feed, 2017. Mirrors, curtain, lighting, live-stream on HD screen, camera-person, instructor, visitors.
Christian Falsnaes (Denmark). Feed, 2017. Mirrors, curtain, lighting, live-stream on HD screen, camera-person, instructor, visitors.

Photos below are open for usage by mass media. When using photos, please, note copyright information:
Photographs provided by the PinchukArtCentre © 2017. Photographed by Sergey Illin.
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