Gabrielle Goliath

Federico is an 8-minute choreography for two performers touching hands. Baczyński-Jenkins’ choreographies engage with queer affect, embodiment, and relationality. Through gesture, collectivity, touch, and sensuality, his practice unfolds structures and politics of desire. Relationality is present in the dialogical ways in which the work is developed and performed, as well as in the materials and poetics it invokes.